|Christopher Jon - synths|
Bret Calder - bass
Scott Landes - guitars
Steve Kefalas - drums
The process of making 2006’s Devour, Rise, and Take Flight was “a very trying period,” says Shikhee. “I was coming home from my job around 9 or 10, and then mixing till 2 or 3, only to get back up and get to work at 9 again. I was barely sleeping and losing weight.” Problems with her record label compounded her frustration; the heavy touring season that followed, prolonged it.
When the album cycle finally wrapped, Shikhee returned home to face some familiar fears. “It’s always a bit scary. I start to doubt myself, reacquaint myself with my studio . . . and wonder if I can still do it,” she says. “It took until late 2007 to get back to writing.”
The Human Animal is undeniable proof that she can, indeed, still “do it.” After two albums on preeminent electronic-music label Projekt Records, Shikhee released Animal in August 2010 on her own Synthellec Music. In production for more than two years, this is the work of an artist reinvigorated by the creative process, adding a new set of colors to her signature sonic palette. “It just happened one day after we came back from our tour,” Shikhee recalls. “Songs just started flooding.”
The flood was triggered in part by Shikhee’s decision to work with her live band in the studio for the first time. “In the past I played all the guitars and some bass [in addition to electronic instruments], but now I had access to these really talented musicians and I wanted to bring that touch in the studio. So I wrote parts for them, parts that were beyond my playing ability.”
The mix of live instruments and processed sounds isn’t new for an Android Lust recording - 2003’s breakthrough The Dividing featured live drums, string and wind instrument but never have those sounds figured so prominently as they do on The Human Animal. The slippery undertones of “A New Heaven” are revealed to be an upright bass; pockets of classical guitar propel “Into the Sun”; the overdriven guitars on “Saint Over” surge forth with the spark of vintage Nine Inch Nails. It’s the most organic-sounding Android Lust record while losing none of the unrelenting sonic edge of prior releases.
And Shikhee has never sounded better, her whisper-to-a-scream vocals on a par with Polly Jean Harvey (“It’s On You”) and Ruby’s Leslie Rankine (“God in the Hole”).
For an artist whose overarching aesthetic has sought to blur the line between human and machine, Shikhee here sets her sights on the battle between the physical and the spiritual. Much of The Human Animal is about tapping into the deeper well of universal energy within to find true meaning, freeing oneself (the human) from the imprisonment of ego (the animal). “A New Heaven” sums up the central query: “Are we the ones we are seeking under the sun?”
But despite the sometimes reflective tone this is not music for meditation. The Human Animal’s 10 songs, plus a Jerome Dillon remix of “God in the Hole” to close the disc, pulse and pound, posing both an invitation and a challenge to the listener. Welcome to the age of enlightenment for Android Lust.--John Brodeur
How do you describe your music to people, Shikhee?
Sounds of life mixed in with electronics and human emotions.
Tell me about how you originally got into your craft.
I was always into music from as long as I can remember. One day I was listening to a Bowie record and I just realized that this is what I had to do. I started writing songs on an acoustic guitar I had. I formed a couple of bands which eventually fell apart because we'd inevitably get into conflicts over direction and ideas. Band democracy was not for me, I believe in dictatorship, so Android Lust was born.
What is your favorite thing to do in the whole wide world?
Winter morning. Grey and rainy outside with snow on the ground. I make myself a cup of ginger black tea and sit down in my studio to write.
What is your biggest challenge when it comes to running your business?
Doing everything yourself and staying on track. Sometimes I get lost in the onslaught of to-dos, and what's really important ends up taking a backseat, which is the music itself.
When you were a kid, what did you think you were going to be when you grew up?
I thought I'd be rich businesswoman. I got the businesswoman part sort of working.
In what way has your community impacted your development as a musician?
I was born in Bangladesh. It's a very socially conservative culture loaded with sexism. I grew up as a tomboy and rebelled constantly before I was went off to school in England, and later in the US. I think some of that latent anger was still in me and came out in my work. Although it took me a long time to recognize the source.
What other artists out there do you love?
Hmm, I've been listening to a lot of Ben Frost lately. His new album's brilliant. I also love I, Parasite, The Police, Aphex Twin, PJ Harvey, Kalte Farben and Foetus.
What does your future hold?
A new music video very soon. More touring.