The post I'd originally scheduled to go out today has had to be postponed, so I am directing you to another post that is so full of HELL YES that you should go read it right now. It's been a long time since I spread the bloglove, and Tiger Beatdown has been really freaking awesome lately.
LADYPALOOZA PRESENTS: I Went To Your Concert and There Was Nothing Going On, or, A Meditation on Dude Music
This is what I call “dude music.” To clarify, just because music is made by men doesn’t mean it’s dude music. And just because music is made by women doesn’t mean it’s not dude music. No, dude music is music that prioritizes the status quo, that prioritize men’s voices, men’s experiences, and the experiences of people in power and who benefit from the current power structures in our society. Dude music is music that can ever be described as “noodling.” Dude music is post-rock, and prog-rock, and rock that exists not to say anything, but to showcase how awesome the men in the band are at playing guitar. Dude music is music that has nothing to offer people who are disenfranchised or oppressed, because it either is totally uninterested in their disenfranchisement/oppression, or actively profits from it. Dude music is “I went to your concert and I didn’t feel anything.” Because it is made by men, for men to enjoy, for men to profit from. Women have three roles: 1) to serve as inspirations for songs; 2) to be sex objects who, hopefully, also make music men feel good about Their Art; 3) to be someone who is dangerously standing in the way of men acheiving greatness (see, e.g., Yoko Ono and Nancy Spungen, Sid Vicious’ girlfriend). Women do not make the music. Hopefully they buy the music, but not too many of them because then your music is Not Serious.
Go over there and read the whole thing.